PEOPLE
 |  |  |  |  |
|---|---|---|---|---|
 |  |  |
Professor Jade Munslow Ong
Principal Investigator
University of Salford, UK
My research interests combine three overlapping areas: global modernisms, empire and the postcolonial (particularly in relation to Southern African literature); animals and the environment in world literature; and political radicalism in creative communities.
Most of my work to date has focused on these issues in relation to the writings of Olive Schreiner. I have published two articles on Schreiner's literature in the Journal of Postcolonial Writing (2014, 2017) and was interviewed about a new edition of Schreiner's novel, From Man to Man, for the Journal of Commonwealth Literature (2021). My monograph, Olive Schreiner and African Modernism: Allegory, Empire and Postcolonial Writing, came out with Routledge in 2018 (and in paperback in 2019). This was described by Neil Lazarus as 'an exceptionally important and superbly lucid book [...] significant for the decisiveness and authority of its challenge to the still-dominant critical understanding that modernism is ultimately and fundamentally ‘European’ in its origins'.
​
Other publications include an article on animals and animal language in graphic novels about the Rwandan genocide (2016); and book chapters on island ecologies and extinction in the early fiction of H.G. Wells (2019), and representations of lions in the novels of Solomon Plaatje and Thomas Mokopu Mofolo (2020). In 2016 I co-edited (with Veronica Barnsley and Matthew Whittle) a special issue of the Journal of Commonwealth Literature entitled 'Postcolonial Environments: Animals, Ecologies, Localities'. I collaborated with Matthew Whittle again to co-author a book entitled Global Literature and the Environment: Twenty-First Century Perspectives (forthcoming with Routledge, 2024).
​
I am an AHRC/BBC New Generation Thinker (2022), and feature in BBC Radio 3 programmes on the New Generation Thinkers, Modernism Around the World, and South African Writing, amongst others.
​
As part of this AHRC-funded project, I have published articles on decolonising the English Literature A-Level, and Virginia Woolf reading Olive Schreiner, as well as a co-authored paper with Maire Tracey, Simon Stanton-Sharma, Emma Barnes and Sanja Nivesjö on decolonial and dialogic methods of film production using the example of our project film, All That Is Buried. With Andrew van der Vlies, I have also co-edited an essay collection, Olive Schreiner: Writing Networks and Global Contexts, (Edinburgh University Press, 2024). The collection contains chapters by four members of the project team: Andrew van der Vlies, Emma Barnes, Sanja Nivesjö and myself, and is described by Prof Laura Chrisman (Washington) as 'a landmark in Olive Schreiner studies and in South African cultural, social and intellectual history that establishes the global scale of Schreiner’s influence and influences. Engaging contemporary scholarly conversations on print history, ecology, Black diaspora, modernism and political activism, the book illuminates the shifting complexity of Schreiner’s thought'.
I have now commenced work on a second co-edited collection with Andrew entitled South African Modernisms, as well as a monograph tentatively titled South African Bloomsbury that will explore the co-constitutive nature of British and South African modernisms that emerged through personal and textual networks associated with the Bloomsbury area of London.
Professor Andrew van der Vlies
Co-Investigator
University of Adelaide, Australia
My research interests cover contemporary world literatures in English, literature and globalization, and the novel; South African writing (in English and Afrikaans), performance, film, cultural studies, and visual art; postcolonial print cultures, book history, translation, and archives; queer theory, especially queer postcolonial studies; affect studies; hope, disappointment, boredom, nostalgia.
​
My first book, South African Textual Cultures (Manchester University Press, 2007), considered the construction of the idea of an anglophone ‘South African’ literature through a series of case studies of the publication and reception histories of authors from Olive Schreiner, Alan Paton, and Alex La Guma, to J.M. Coetzee and Zakes Mda. Rita Barnard called it ‘the first major study to question the very category of “South African literature” and to describe the process of its construction in a sustained, engaging, theoretically astute manner’. I continue to write about and facilitate work on African and South African print cultures, contributing to the Oxford Companion to the Book (2010). Wits University Press published my edited reader, Print, Text and Book Cultures in South Africa, in 2012.
​
My current principal interest is in writing from South Africa during the past three decades. My most recent book, Present Imperfect: Contemporary South African Writing (Oxford University Press, 2017), mobilises an understand of ‘disappointment’ as description of affect and of temporality (a missed appointment with a future imagined by the anti-apartheid movement) in order to discuss how postapartheid writing engages temporality, genre, and form in its treatment of the fate of the hope that attended the birth of the ‘new’ nation in 1994. Considering in detail work by J.M. Coetzee, Nadine Gordimer, Songeziwe Mahlangu, Masande Ntshanga, Marlene van Niekerk, Ivan Vladislavić, Zoë Wicomb, and Ingrid Winterbach, it assesses their engagements with a range of negative feelings that are also experiences of temporal disjuncture, including stasis, impasse, boredom, disaffection, and nostalgia. Simon Gikandi calls the book ‘one of the most lucid and original reflections on South African writing after Apartheid’. Derek Attridge says it ‘provides an insightful, absorbing and theoretically astute investigation of the status of contemporary South African literature’.
​
I have published elsewhere on Coetzee (including a short Continuum/Bloomsbury book on Disgrace), Gordimer, and Wicomb, co-edited special issues of journals on South Africa and the global mediascape and on Wicomb and transnationalism, and contributed chapters to the Cambridge History of South African Literature (2012) and the Oxford History of the Novel in English (vol. 11, 2016). I have also published on queer politics and performance in contemporary South African art.
​
Race, Nation, Translation: South African Essays, 1990-2013, an edited collection of essays by prizewinning South African-born writer Zoë Wicomb, was published by Yale University Press in the US and UK and by Wits University Press in South Africa, in November 2018. In February 2019, Bloomsbury Academic published South African Writing in Transition, a multi-author collection of essays on postapartheid literature, which I co-edited with Rita Barnard (Penn).
​
In association with this project South African Modernism 1880-2020, I will edit a new scholarly edition of Olive Schreiner’s important 1883 novel, The Story of an African Farm (Edinburgh University Press). I have also co-edited an essay collection with Jade Munslow Ong, titled Olive Schreiner: Writing Networks and Global Contexts, to which I also contribute a chapter.
Simon Stanton-Sharma
Research and Innovation Associate Oct 2023-present
University of Salford, UK
Before joining academia in 2019, I had a long career as a filmmaker and television director working mostly for the BBC. My experience in production, creative technologies, innovation and working on youth-led output continues to inform my Practice as Research and my role within the South African Modernism 1880-2020 team. Over the next year, I will look to new ways of engaging and connecting young audiences with South African literature.
​
My specific research interests in decolonial filmmaking praxes and participative thinking, together with my professional experience working for the BBC for many years across sub-Saharan Africa, informs my current work. I have developed a keen interest in non-hierarchical and collaborative production and editorial processes that challenge the structural inequalities engendered by conventional and accepted approaches to filmmaking. My research in this area focuses on interdisciplinary, decolonial and inclusive praxes within television and film production. I co-directed (with Maire Tracey) the project’s documentary, All That Is Buried, now screening internationally, and co-wrote an associated article ‘The Making of All That Is Buried: Dialog, Chronotope and Decoloniality’ for the journal Media Practice and Education. The article argues that Bakhtinian dialogism can be productively mobilised to support the processes and practices of decolonial filmmaking, thereby providing a model and method useful and replicable for others looking to capture Arts and Humanities research on film.
​
I am currently working on a new research film made in association with the South African Modernism 1880-2020 project, which represents the stories and experiences of some of the approximately 250 female ride-hailing drivers in Johannesburg. Using ‘found poetry’ techniques associated with modernist art and writing by figures such as William Burroughs and the DADAists, the film will function as a ‘visual verbatim poem’ about the working lives of female Uber drivers.
​
My most recent work is a piece of videographic criticism entitled In Search of a Father: Masculinity and Fatherhood on Film and Television. This video essay explores the role of the father as interpreted through media, offering comparative analysis of the omnipresent paternalised protagonists in film and tv with the lived experiences of fathers and children in post-war Britain.
Keren Poliah
Impact and Engagement Fellow Sep 2024-Present
University of Salford, UK
I started my journey at the University of Salford doing a PhD gathering the lived experiences of Mauritians through an experimental novel-length narrative including elements of the roman-à-clef, short story, poetry, and script. As one journey ends, another begins as an Impact and Engagement Fellow responsible for supporting activities for South African Modernism 1880-2020 and follow-on project Decolonising Literary Studies In and Beyond the Classroom. This role includes devising and delivering teaching and training to A-Level learners and their teachers to support efforts to decolonise the English Literature A-Level, and undertake impact evidence gathering alongside other engagement activities.
My practice is Creative Writing, focusing on method writing, experimental writing, religious studies, Indigenous research methodologies, and marginalised subjects. I find ways to resist the conventional Anglo-centric PhD and create a space for the subaltern to be heard within/through research. My publications include academic research papers (An act of Love, When the veil is lifted), poetry (Who a woman is (not), Summer in Mauritius, Walking on fire, Looking through the window), short story (‘The Moon is a Thief’ in Red Kite Anthology), and co-authoring and editing the book Disruptive approaches to awareness of gambling harms. I am currently working on a book chapter on method writing, a paper on social exclusion about gender and race, and the publication of my first nonfiction book Words from World Watchers.
I am also an art laureate from Mauritius, a sessional lecturer at the University of Salford, and a project coordinator of the Global DEEP Network Decolonizing Circle. As Equality Diversity and Inclusion (EDI) advocate, I supported decolonising postgraduate research and supervision at the University of Salford Doctoral School. In recognition of this role and contribution from other EDI advocates, my doctoral team won the Best Research Culture and EDI Initiative Award (Celebration of Innovation Awards 2024 at the University of Salford). I was also the recipient of the EDI Create Student Award 2024 at the University of Salford, and the Student Partnership Impact Award 2024 from SEDA (Staff and Educational Development Association).
Maire Tracey
Research and Innovation Associate May 2024-present
University of Salford, UK
I am a Senior Lecturer in Media Practice and Programme Leader on four MAs including Documentary, Drama, Editing and Wildlife Documentary at the University of Salford.
My background is in documentary producing and directing. Prior to my academic career, I directed international specialist factual documentaries for National Geographic and Discovery in the US, BBC and ITV in the UK, and CCTV in China. I still have strong connections with the TV industry and am currently a judge for the Royal Television Society in Yorkshire.
In 2022, I co-directed (with Simon Stanton-Sharma) the project’s documentary, All That Is Buried, now screening internationally, and co-wrote an associated article ‘The Making of All That Is Buried: Dialog, Chronotope and Decoloniality’ for the journal Media Practice and Education. I am now developing my work with the South African Modernism team to support the creation of online resources for 16-18 year old learners engaging with South African literatures and cultures.
​
This year I made a short documentary called Makerworld about free community art sessions held in Huddersfield town centre. The film examines the important of free access to art, creativity and abstract problem solving in young children in the context of a Northern post-industrial town.
I am currently in pre-production on a site-specific documentary about Astley Castle in Warwickshire. This documentary will treat the property as lead character, exploring its origins and histories, famous inhabitants such as Elizabeth Woodville, and neighbours such as George Eliot.
Dr Hannah Helm
Impact and Engagement Fellow Jan 2023-Jul 2024, Project Affiliate Jul 2024-Present
University of Salford, UK
As Impact and Engagement Fellow, I was primarily responsible for offering teaching and training to 16-18 year old learners and their teachers in association with our work to decolonise the English Literature A-Level. I also supported a range of other research, impact and engagement activities associated with the project. A co-authored article with Emma Barnes, Katie Barnes and Jade Munslow Ong about our project work entitled '"Make Them Roll in Their Graves": South African Writing, Decolonisation and the English Literature A-Level' is out with English in Education. My role on this project was funded by the University of Salford Research Fund and Public Policy Fund.
My main research interests include nineteenth-century and children’s literatures, with a particular focus on feminist, anti-sanist, and anti-ableist representations of women. I completed my PhD on ‘Femininity, Madness, and Disability in Nineteenth-Century Children’s Literature and Film Adaptation: A Study in Textual and Visual Forms’ at the University of Salford in May 2023. I have an article in Brontë Studies (March 2021) and two forthcoming in the Journal of Literary and Cultural Disability Studies (February 2023) and Journal of Gender, Ethnic, and Cross-Cultural Studies (Summer 2023). I have a book chapter on feminism, fairy-tale narratives, and disability in Gender and Females Villains in Twenty-First Century Fairy Tale Narratives (Emerald, 2022), and have published book reviews in Postgraduate English, Romance, Revolution, and Reform, and Journal of the Fantastic in the Arts, with another forthcoming in Marvels and Tales (Spring 2023). I am currently co-writing a chapter on literary representations of madness for a collection entitled Children’s Literature and Culture (forthcoming with Routledge, 2024), as well as a journal article based on our work with colleges. I will also co-edit a collection of papers and proceedings following the ‘Disney at 100 Years: Everlasting Entertainment and a Spellbinding Future' conference in June 2023.
I also work as a sessional lecturer in English Literature at the University of Salford, and lead the ‘Widening Participation in Research’ EDI project at the University of Salford (October 2022-Present). This second role involves designing summer research programmes for undergraduate students from backgrounds that are underrepresented in research. I was the recipient of the Performance, English and Creative Writing Create Award at the University of Salford (June 2022) in recognition of my research and teaching, as well as my broader contributions to the postgraduate community.
Dr Emma Barnes
Research Assistant Jan 2021-Jan 2023, Project Affiliate Jan 2023-present
University of Salford, UK
My research interests include postcolonial, Indigenous and world literatures, with a particular focus on animals, the environment, climate change, and nonhuman resistance to colonialism.
​
As former Research Assistant and now project affiliate of South African Modernism 1880-2020, I have contributed a book chapter entitled 'Olive Schreiner and the New Women of New Zealand: Feminist Solidarities Across the Southern Colonies' to the collection Olive Schreiner: Writing Networks and Global Contexts; co-authored an article with Hannah Helm, Katie Barnes and Jade Munslow Ong entitled '"Make Them Roll in Their Graves": South African Writing, Decolonisation and the English Literature A-Level' (forthcoming with English in Education); acted as researcher on the documentary film, All That Is Buried and co-authored the associated article; and co-organised, taught and presented at various academic and public engagement events as part of the project.
I am currently Lecturer in Nineteenth-Century and World Literatures and Knowledge Exchange Fellow at the University of Salford. My AHRC-funded PhD was awarded in December 2021 for a thesis entitled ‘Plants, Animals, Land: More-than-human Relations and Gendered Survivance in Early Indigenous Women’s Writing’, which I am currently turning into a monograph. I have published a peer-reviewed article in Transmotion, entitled 'Critiquing Settler-colonial Conceptions of ‘Vulnerability’ through Kaona in Mary Kawena PÅ«ku’i’s Mo’olelo, “The Pounded Water of Kekela” and have a forthcoming chapter in the edited collection Olive Schreiner: Writing Networks and Global Contexts. I have published reviews of Timothy Baker's Writing Animals in C21 Literature: Journal of 21st-Century Writings, and Kate Rose's Displaced: Literature of Indigeneity, Migration and Trauma in the Journal of Postcolonial Writing. I also have an entry on Rudyard Kipling’s The Jungle Books with the Literary Encyclopedia Online (2018).
I was the recipient of the Women’s Voice Award at the University of Salford in 2020, and the University of Salford Create award for Citizenship, also in 2020. These awards recognised my research and teaching achievements, as well as my contributions to public engagement events, including as lead organiser of a University of Salford and Salford City Council collaboration, ‘Windrush Memoirs’, as part of Windrush 70.
Some of my other roles include acting as committee member and co-organiser of the Fifth Pan-African Congress 75th Anniversary Celebrations, and Postgraduate representative for the Northern Postcolonial Network. Previously, I was a PGR journal editor for Romance, Revolution and Reform at the University of Southampton.
Dr Sanja Nivesjö
Postdoctoral Researcher Sep 2021-Sep 2023, Project Affiliate Sep 2023-present
University of Salford, UK / Uppsala University, Sweden
My research interests are centred on Southern African literature and questions of sexuality, gender, race, space, and temporality.
In March 2020 I finished my PhD dissertation, Dis-placed Desires: Space and Sexuality in South African Literature, at Stockholm University, Sweden and Justus-Liebig University Giessen, Germany. In this project, I provide a diachronic view of the interweaving of space and sexuality, their interdependency and mutually constitutive aspects, in seven South African English-language novels from 1920 to 2010. I identify the entanglement of space and sexuality as a trope in South African literature which responds to the country’s history of colonial and apartheid racial segregation and prohibition of interracial sex. The project’s diachronic perspective informs a vital understanding of how current depictions of spatiality and sexuality are related to those during and before apartheid.
​
As a result of my PhD research, I have developed an interest in the early South African author Olive Schreiner (1855-1920), also active in proto-feminist circles in the UK and Europe. I have co-edited a special issue on Dorothy Driver's 2015 edition of Schreiner's novel From Man to Man with the Journal of Commonwealth Literature (March 2021). Additionally, I have an article on the novel in a special issue of English in Africa (2021) commemorating the centenary of Schreiner’s death. I have also published on Nadine Gordimer and J.M. Coetzee.
​
Funded by the Swedish Research Council, I spent two years as a postdoctoral researcher at the University of Salford (Sep 2021-Sep 2023) working on my new project, which investigates the representation of interracial love in South African and Zimbabwean literature, 1900-1950. This project will constitute an essential historicising contribution to the imagination of racial togetherness and intimacy in early written literature from Southern African. The final intended outcome is a monograph entitled Interracial Love in Literature from Southern Africa, 1900-1950.
